English Literature Dissertations

The chorus in Aeschylus Agamemnon clearly elucidates the Aristotelian principle of tragedy: Zeus, whose will has marked for man the sole way where wisdom lies, ordered one eternal plan: Man must suffer to be wise. Elizabethan tragedy is derived from this moralised model of tragedy as depicted by Aristotle in his Poetics. As a genre, Elizabethan tragedy is distinguished from that of Shakespeare, although Shakespeares tragedies are often held as the epitome of the tragic form. Indeed, the Oxford English Dictionary cites only two quotations from the Renaissance under the entry for tragedy, both of which are from Shakespeare. There appears to be a deliberate judgment in including Shakespeare in the dramatic cannon to the exclusion of such influential playwrights as Christopher Marlowe, Thomas Heywood and John Webster. Although it is clear that Shakespeare made an important contribution to the development of modern tragedy, derived from classical models, contemporary dramatists were much more formative in negotiating Aristotelian models of tragedy with the new philosophical, social and political climate of the Renaissance. Philips Sidneys defence of the tragic form in An Apologie for Poetrie (1595) articulates the moral and didactic purpose of poetry. So that the right vse of Comedy will (I thinke) by no body be blamed, and much lesse of the high and excellent Tragedy; that openeth the greatest wounds, and sheweth forth the Vlcers, that are couered with Tissues: that maketh Kinges feare to be Tyrants, and Tyrants manifest their tirannicall humors: that with stirring the affects of admiration and commiseration, teacheth, the vncertainety of this world, and vpon howe weake foundations guilden roofes are built (Sidney F3v-F4) The emphasis on moral instruction is clear, and informed the tragic form in the both Shakespearean and non-Shakespearean dramas. Tragedy, according to Aristotle, is noble and concerned with lofty matters, as opposed to the flippant and crude nature of comedy. Sidney defines the function of tragedy as uncovering the greatest wounds of the inherently weake foundations of the world. Tragedy, therefore, produces an emotional response in the audience by exposing human flaws, which allows them to participate in a form of moral regeneration. Thomas Heywoods An Apology for Actors (1612) also cites the classical model of tragedy in order to elevate English drama in general by accentuating the morally instructive nature of tragedy, as well as to tie his own works to the legitimate tradition of tragedy. If we present a Tragedy, we include the fatall and abortiue ends of such as commit notorious murders, which is aggrauated and acted with all the Art that may be, to terrifie men from the like ab horred practises (Heywood F3v). Heywood thus believes that the tragic downfall of the moral, but flawed, hero is a terrifying lesson to the audience through the pity and fear evoked by watching the play itself, a notion described by Aristotle and termed by modern scholars as catharsis. Despite Heywoods belief in the moral power of tragedy, Renaissance tragedy, for the most part, does not live up to the Aristotelean model. For Stephen Greenblatt (1980), Renaissance theatre, named after a queen whose power is constituted in theatrical celebrations of royal glory and theatrical violence visited upon the enemies of that glory, replays the process of provoking subversion central to the states authorization of its own power: the form itself, as a primary expression of Renaissance power, contains the radical doubts it continually produces (297). Thus, any echo of Aristotelian notions of tragedy in the works of playwrights such as Heywood, Marlowe, Webster, and even Shakespeare, can be seen not as a insistence upon the dramatic perfection of classical forms, but as a means of lending legitimacy to the challenge to political and cultural structures. As Moretti (1982) observed in respect of English Renaissance tragedy one of the decisive influences in the creation of a public that for the first time in history assumed the right to bring a king to justice Tragedy disentitled the absolute monarch to all ethical and rational legitimation. Having deconsecrated the king, it thus made it possible to decapitate him (7-8). Rather than reinforcing the social order and legitimizing divine ordination, tragedy opened up the political elite to the possibility of human frailty. Renaissance tragedy can be defined as a violent series of events that is built upon the murder and revenge, concerning characters primarily motivated by jealousy, greed, and anger. According to Aristotle, the tragic hero must be of noble stature, and while his greatness is readily apparent, he is not perfect. Tragedies often concern the aristocratic elite and thus personal tragedies extend to tragedies of state. The tone of the play is sombre, clearly relating the grief and sorrow of the characters themselves. This language of lamentation serves as a warning against the destructive potential of vice and depravity, and can be linked to the Medieval morality plays. Although the presence of other non-dramatic sources conceives a national tradition of tragedy which was established on the English stage as early as 1587, with the performance of Thomas Kyds The Spanish Tragedy. Both The Spanish Tragedy and Marlowes Tamburlaine, performed in the late 1580s, exhibit the beginnings of true Renaissance tragedy. Derived from the revenge plays of Seneca, The Spanish Tragedy is a play which satisfied the Aristotelian need for a binary model of moral order, which is complicated by the relations of individual justice to the social and divine order. Tamburlaine, however, moves away from the reductive moralising of earlier poetry and reflects the influence of the Reformation on the dramatic arts, as the theatre established a new place where human possibilities could be envisioned with new freedom. Marlowe is fully aware that he is making the stage the vehicle of a new consciousness: Onely this (Gentlemen) we must performe, The form of Faustus fortunes good or bad. To patient Iudgements we appeale our plaude. (Marlowe, Faustus, 7-9) This appeal to the moral purpose of the play is misleading, for neither Faustus nor Tamberlaine are characters directed by their moral choices. Tamberlaine, it is arguable, is an agent of God while at the same time exercising his free will with no apparent consequence. Marlowe appears to be addressing familiar issues of blasphemous defiance, tyranny, cruelty and arrogance in Tamburlaine, but ironically he presents these issues as the glory of the tragic hero. Unlike traditional tragedies, there is no stable moral framework, with the result that the audience is left feeling uneasy with the divine implications of the heros downfall. Tamburlaine, rather than submit to his pre-ordained fate, boasts of his own dynamic power: I hold the Fates bound fast in yron chaines, And with my hand turne Fortunes wheel about (369-70) Fate and Fortune, two of the most conventional symbols of human limitation, are here manipulated by the hero not as a sign of his hubris, but rather as a heroic achievement. Marlowe uses this gross inversion as a reflection of the changing values in Renaissance society. As Stephen Greenblatt (1980) says, Marlowe writes in the period in which European man embarked on his extraordinary career of consumption, his eager pursuit of knowledge, with one intellectual model after another seized, squeezed dry, and discarded, and his frenzied exhaustion of the worlds resources (199). The Enlightenment saw the questioning of fundamental assumptions about mans place in the world, a uncertainty reflected in the ambiguous relation between the tragic hero and his divinely ordained fate. C. L. Barber (1988) has commented on the way in which the audience engages with such egotistic individualism of the tragic hero, noting the role of the triumphal individual in the Renaissance and the significance of individualistic prophesying as a disruptive form of expression that challenged the authority and legitimacy of the Church and state. Marlowe writes at a time of religious transition and new philosophical notions of self-consciousness, and appropriates religious language and symbolism to launch an attack on the Church. Tamburlaine rebels against divine, political and social order, and in doing so sets himself beyond limitation and definition, alwaiies moouing as the restles Spheares (876). Tamburlaines rebellion is an uneasy one, for there is no possibility of reconciliation and restoration of order. Theridama, the Chiefest Captain of Mycetes hoste, reveals this as he says: Tamburlaine? A Scythian Shepheard, so imbelished With Natures pride, and richest furniture, His looks do menace heauen an dare the Gods What stronge enchantments tice my yielding soule? Won with they words, conquered with thy looks, I yield my selfe, my men horse to thee (350-52, 419, 423-4) Liberation is here figured as one of two choices: to reject the divine or to take it over. In Tamburlaines case, he alternatively threatens heaven and dares the gods, or claims identity with the divine to sanction his violence: til by vision, or by speech I heare / Immortall Ioue say, Cease my Tamburlaine, / I will persist a terrour to the world (3873-75). Tamburlaine self-aggrandizement is given divine legitimacy: Tamburlaine believes that his tyranny and martial lust are condoned through the gods through their silence. The two-part Tamburlaine is based on the historical figure of Timur, a bloody conqueror of Asia, whose greed for power and extravagance culminates with his inevitable downfall. Tamburlaine deviates from the tragic norm in his depiction of the tragic hero; Tamburlaine is not humbled by his dramatic fall, and no moral lesson is learned and repentance achieved. Tamburlaine does not conform to the model of the tragic hero set out in Poetics. The tragic hero is fated to make a serious error which will cause his fall and tragic death, usually caused by hubris, or prideful arrogance, but he remains likeable to the audience for his inherent goodness. Tamburlaine, in contrast, is a character whose goodness is notably absent. In contrast the Aristotlean model, in which the tragic hero is noble from birth, Tamburlaine is an obscure Scythian shepherd in the opening of part 1. He quickly ascends through his bravery and his eloquent speech, and his ferocity on the battlefield. Tamburlaine sees him self as the scourge of God and even dreams of leading his armies in war against the divine army in heaven. In a scene in which Tamburlaine has defeated Cosroe, he responds to Cosroes demands for the reasons behind his treachery. Nature, that framd us of four elements Warring within our breasts for regiment, Doth teach us all to have aspiring minds: Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planets course, Still climbing after knowledge infinite, And always moving as the restless spheres, Wills us to wear ourselves and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown. (I.iv. 13-29) With this final line Tamburlaine snatches the crown from dying Cosroes head and places it on his own head, assuming the power of divine legitimacy for himself. Reordering the humours as in constant opposition, rather than harmonious order, is to legitimize his own militaristic behaviour as part of the natural world. He is, in essence, creating himself out of nothing, as he became an emperor from a shepherd, and as such is taking over the divine role of creation. In doing so, he upsets the authority of the moral order, and even his death does not resolve the moral hierarchy. Thomas Heywoods A Woman Killed with Kindness (1603) is described as a domestic tragedy as it deals not with the tragic downfall of the elite, but on the relationship between a husband and wife. Domesticity is the theme of the play, and the language is correspondingly straightforward and unadorned. In contrast with tragedies such as Hamlet or Tamburlaine, Heywoods play does not concern the intrigues and actions of the aristocratic elite or ruling order. A Woman Killed with Kindness is a morality play, concerned with the infidelity of Anne and her likely punishment. She herself expects only death upon her husbands discovery of her affair: Though I deserve a thousand thousand fold More than you can inflict, yet, once my husband, For womanhood to which I am a shame, Though once an ornament even for His sake That hath redeemd our couls, mark not my face Nor hack me with your sword, but let me go Perfect and undeformed to my tomb. (xiii.94-100) Her opinion is born out by the tradition of revenge in tragedies as well as in contemporary practice; indeed, by law husbands reserved the right to kill unfaithful wives (Powell 204). However, despite the clear Christian moralizing, Heywoods play departs drastically from the traditional structure of moral tragedy in that the tragic end of the main character results not from divine judgment and retribution, but from the effects of her wrongdoing on her own consciousness. Before the discovery of her betrayal by her husband, her guilt and remorse are apparent. You have tempted me to mischief, Master Wendoll; I have done I know not what. Well, you plead custom; That which for want of wit I granted erst I now must yield through fear. Come, come, lets in. Once oer shoes, we are straight oer head in sin (xi. 110-14) Her repentance is genuine, and carries forward her tragic end. Anne chooses to starve herself to death, thereby taking control both of her sin and her punishment. Heywood puts into dramatic form the punishment which arises from the erring characters consciousness of their guilt in the place of the punishment of an exterior physical revenge (Bowers 225). Annes emotional torment is meant as a lesson to the audience, and she makes of herself an exemplary figure, breaking away from the domestic thrust of the play towards the universal. Derived from the classical models of comedy and tragedy set out by Aristotle and envisaged by Seneca, Webseters The White Devil (1612) expands the classical tragic structure by adding elements associated with comedy: ironic repetition, theatrical self-consciousness, and inverted tragic situations. There is a repeated pattern in The White Devil of serious action followed by parody, working to undermine the dramatic tradition of tragedy to create what would become the genre of tragicomedy. Tragicomedy is a distinctly non-Aristotelian genre in which the action and subject of the play demand a tragic ending, but this ending is denied in an ironic reversal which produces the happy ending of a traditional comedy. Aristotle did, in fact, depict a kind of tragedy with a happy ending, which would later become tragicomedy, but it was not until the Renaissance that the genre was seen as a legitimate dramatic form. In The White Devil, the Duke of Florence comments on the popular dislike of the classically inspired plays which strictly conform to the structure of tragedy and comedy: My tragedy must have some idle mirth int, Else it will never pass (IV.i.119-20) The Dukes comment suggests that an increasingly demanding audience will no longer accept the single-minded classical plays of strict comedy or tragedy, but demand a sophistication of genre. The White Devil is not unique in its admission of tragicomedy, but it is treated as an expression of doubt about the tragic absolutes and as part of a critical double-vision. Incidents are repeated an parodied throughout Websters play, and this system of parallels is used to undermine the tragic status of the patrician characters. In the final scene the tragic hero Flamineo acts out a grotesque fiction of his own death, which is ironically followed by real murder. The farcical ending is paralleled with the authentic tragic image. With its elaborate system of repetition and parody, its ironic contrasts between interpretations of events, and the insistence that every incident is intimately connected with other incidents, The White Devil emphasises the shifting values and ironic double-visions of tragicomedy into the tragic framework of aspiration, failure, and ultimately death, depicting the double standard of the new society. The action of the play is confined to the relatively narrow setting of Rome and the court at Padua, hinting to the world beyond that of stage. Critics have often found the number of characters in The White Devil problematic, citing di fficulties in staging a production with so many bodies on stage. However, John Russell Brown (1940) has called attention to Websters power of using violent and crowded scenes for sudden and, therefore, striking manifestations of an individuals lies or hypocrisy, the variety of a busy trade of life (Brown 453). In the final act, the presence of so many members of the courtly society emphasises Flamineos fall from power, defining the extent of the competition for the Dukes favour and the uncertainty of Flamineos future now that his relationship with his master is ruined. As a young lord reports to Flamineo concerning Bracciano, A new vp-start: one that swears like a Falckner, and will lye in the Dukes eare day by day like a maker of Almanacks (V.i. 138-9). The White Devil deals with private behaviour made public, and public behaviour motivated by questionable private interests. Vittorias trial reveals her illicit liaison with Bracciano and the murderous consequences, but it is this public censure which results in private revenge. In comparison with Shakespearean tragedies such as Hamlet, or classical tragedies such as Oedipus Rex, the play is extremely social and emphasises Websters preoccupation with the intertwined spheres of public probity and private corruption. The White Devil focuses on the individuals freedom of choice between good and evil, human dignity and the fall from grace, binaries which appear to conform to the traditional Christian morality. Lodovico is accused by Antonelli and Gasparo: Worse then these, / You have acted certaine Murders here in Rome, / Bloody and full of horror (I.i.31-32), and Gasparo continues O my Lord / The law doth sometimes mediate, thinkes it good / Not ever to steepe violent sinnes in blood, / This gentle penance may both end your crimes, / And in the example better these bad times (I.i.33-37). Ludovico is presented a choice, but instead turns to criminality and revenge. His crimes have been presented, the possibility of reform and exoneration provided, and yet he wilfully chooses his course of conduct in spite of this. He exercises his free will, but unlike the Aristotelian tragic hero his destructive path is not redemptive in bringing out moral responsibility. The conclusion of The White Devil is ambig uous, fulfilling the catastrophic ending required of tragedy but without the suggestion of the nobility and greatness of man. Flamineo dies in despair of his worldly goods, wealth and advancement rather than in despair of his worthiness before God. There is the possibility of Flamineo accepting moral responsibility directly before his death as he reflects, While we looke up to heaven wee confound / Knowledge with knowledge (V.vi.259-60), and yet immediately before this he said , I doe not looke / Who went before, nor who shall follow mee; / Noe, at my self I will begin and end (V.vi.256-58). Although the play ends with the death of the tragic hero, as tradition dictates, this is not the satisfactory ending of classical tragedies. There is no remorse, no retraction of arrogance and greed in the face of the divine. As A.L. Kistner (1993) wondered, Where does it lie in the triumph of will, in grabbing for every expression of self that this world has to offer or in the calm discipline of self-denial for a higher picture of man? (267). Webster leaves the audience with an unsatisfactory portrait of free choice and the capacity for moral responsibility. The emergence in the 1580s of an Elizabethan tragic tradition which manipulated the limitations of classical generic boundaries points toward the developing self-consciousness of a modern culture. As evidenced in such works as Tamburlaine and The White Devil, the theatre was the site of an evolving culture in conflict with the older, traditional forms of expression. Marlowe, Webster and Heywood used the stage for the assertion and defense of an ego which was constantly threatened by powerful forces of desire and conscience, forces which [they] coped with as best as [they] could by making them conscious, by finding a form for them which would command social understanding and the control of shared social attitudes (Barber 37). The new tragic genre was a way of registering an experience of change and dislocation, a sh ift from the Classical tradition of moral order and stability. Works Cited Aristotle, (1953) Aristotle on the Art of Fiction: an English translation of Aristotles Poetics. Trans. by L. J. Potts. Cambridge: University of Cambridge Press. Barber, C. L. (1988) Creating Elizabethan Tragedy: the theatre of Marlowe and Kyd. Chicago: The University of Chicago Press. Bowers, F. T. (1940) Elizabethan Revenge Tragedy 1587-1642. Princeton: Princeton University Press. Brown, J. R. (1962) Theater research and the Criticism of Shakespeare and his Contemporaries Shakespeare Quarterly, 13 Falco, R. (2000) Charismatic Authority in Early Modern English Tragedy. Baltimore and London: Johns Hopkins University Press. Goldberg, D. (1987) Between Worlds: A study of the plays of John Webster, Wilfrid Laurier University Press. Greenblatt, S. (1985) Invisible Bullets: Renaissance Authority and Its Subversion, Henry IV and Henry V in J. Dollimore and A. Sinfield, (eds.), Political Shakespeare: New Essays in Cultural Materialism , pp. 18-47. Manchester: Manchester University Press. - (1980) Renaissance Self-Fashioning: from More to Shakespeare. Chicago: Chicago University Press. Heywood, T. (1973) An Apology for Actors (1612). New York: Garland. (1961) A Woman Killed with Kindness. R. W. Van Fossen (ed). London: Mentheun Co. Kistner, A.L. and Kistner, M.K (1993) Free Choice in The White Devil English Studies, 74, no. 3: 258-267 Marlowe, C. (1993) Doctor Faustus. D. Bevington and E. Rasmussen (eds). Manchester: Manchester University Press. -(1995) Tamburlaine. D. Bevington and E. Rasmussen (eds). Oxford, New York: Oxford University Press. Moretti, F. (1982) A Huge Eclipse: Tragic Form and the Deconsecration of Sovereignty, in The Power of Forms in the English Renaissance, S. Greenblatt (ed). Norman, Oklahoma: Pilgrim Books. Powell, C.L. (1917) English Domestic Relations 1487-1653. New York: Columbia University Press. Sidney, P. (1971) An Apologie for Poetrie. New York: De Capo Press. Webster, J. (1983) The Selected Play of John Webster. J. Dollimore and A. Sinfield (eds). Cambridge: Cambridge University Press.

Banned Books Essay - 1279 Words

Banned Books The problems with banned books has been a controversial issue between parents as well as adults. The concerns that parents have are with the fact that these certain books are to be banned to keep their kids from being exposed to some of the ways of the world. Some of the concerns that these parents have are with usage of some derrogatory words or lanuguage not preferrred by some parents. The things that parents fail to realize is that by law, a librarian has the responsibility that they must uphold; including their responsibilty to the stocking of books on their shelves. I would take the side of the librarian because their position would be worthless because their rights would be useless, and their job would†¦show more content†¦Ã¢â‚¬Å"Criteria may include popular demand, ensuring diversity in the collection, available space and budget.† These policies must be approved by the library or school governing board, which is made up of community representatives. The responsibility rests with the library director or school superintendent, who regulates the selection to appropriate staff acting within the framework of the established policies. In schools, librarians work closely with teachers and school administrators to provide collections that support and supplement the school’s curriculum. The majority of books and other materials selected have been reviewed and recommended by professional librarians or reviewers. The selection is an process, in which librarians look for materials that will provide a broad range of viewpoints and topics. This means that while library collections have thousands of items families want, like and need, they also will have materials that some parents may find offensive to them or inappropriate for their children. Because an item is selected does not mean the librarian accepts or promotes it. He or she is simply helping the library to fulfill its mission of providing information from all points of view. The ALA organization provides a standard in which librarians follow. These standards are sometimes recognized as the librarian bill of rights. these ALA rights state that: Books and other library resources should be provided for the interest,Show MoreRelatedBanned Books On The American School System1824 Words   |  8 PagesBanned Books in the American School System Literary works are the foundation for education and are crucial for multiple reasons, some of which include that literature obtains a large variety of information that is at times not accessible to students by computers and teachers alone. Another advantage is adults and children alike improve their understanding and knowledge of certain topics whilst improving their intelligence of the language itself. Banning literary pieces of work is unjustifiable andRead MoreBanned Books1233 Words   |  5 PagesBanned Books 3 Where Have All the Books Gone? Books are dangerous. They make you thinkÂ…feelÂ…wonderÂ…. They make you ask questions (Weiss p.2). At the present time, at least seventy-five books are being banned. This is hurting our culture more than it is helping. This has to be stopped; books cannot be taken off of the shelves at the rate that they are today. The books that are being taken off of the shelves are, for the most part, considered classics. The act of book banning puts limitationsRead MoreBanning Books Should Not Be Banned Books1558 Words   |  7 Pages On the topic of banning books, many parents worry about the wellbeing of their kin when placed and introduced into dangerous topics. Often fearing their child is unable to handle the true reality of life s many undesirable events. Parents will go as far as banning a book about a little yellow bear and his friends living in the woods. As many of us go through hardships it s just a â€Å"roadblock we have to drive or swerve on the road,† to development. 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This has to be stopped; books cannot be taken off of the shelves at the rate that they are today. The books that are being taken off of the shelves are, for the most part, considered classics. The act of book banning puts limitations on what authorsRead MoreWhat are Banned Books? Fahrenheit 451 Essay912 Words   |  4 PagesMany books have been questioned and challenged. Even as far as to banning them. But what exactly is a banned book and why are they banned? A banned book is a book that has been censored by an authority, a government body, a library, or a even school system. A book that has been banned is actually removed from a library or school system. The actual contextual reasons as to banning them is use of explicit violence, gore, sexuality, explicit language, religion, or dark times in history. On the non-contextualRead MoreIts Time to STOP Banning Books Essay1383 Words   |  6 Pagesto make it easier for people to talk about sex in a more mature manner. 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Anyone can challenge a book to be censored, even if it’s not explicit, if you personally take offense to a book you can challenge it to be a censored or banned book, but with that you have to have a valid reason on why you want it banned or censored. There are thousands of books that

New Hedonism in The Picture of Dorian Gray - Free Essay Example

Sample details Pages: 3 Words: 1000 Downloads: 8 Date added: 2019/05/13 Category Literature Essay Level High school Tags: The Picture of Dorian Gray Essay Did you like this example? In the novel The Picture of Dorian Gray by Oscar Wilde, Dorian Gray undertakes a life of new hedonism after it is espoused by Lord Henry Wotton (Wilde 94). This new hedonism values pleasure and beauty above all else and drives Dorians desire to stay youthful and beautiful forever. Dorian Grays pursuit of the hedonistic lifestyle brings harm to those around him, as it promotes the idea of living solely for oneself and ones own pleasure. Don’t waste time! Our writers will create an original "New Hedonism in The Picture of Dorian Gray" essay for you Create order While the tenets of this philosophy do not inherently cause destruction, it is the only possible result of coupling new hedonism with Dorian Grays personality and beliefs. Gray was temporarily saved from consequences of his actions and having to confront what he was becoming due to the painting bearing the hideousness of his sins, in turn letting his hedonistic lifestyle continue without the limits of conscience. As a result of Dorian Grays shallow beliefs and temporary absolution of his sins due to the painting, he could not have pursued a life following the philosophical principles of new hedonism without the negative ramifications. A main factor contributing to the destructive nature of Dorian Grays hedonistic lifestyle is that it was driven by his beliefs grounded in aestheticism or art for arts sake. This philosophy is endorsed heavily by Lord Henry, in that he says Beauty is a form of genius is higher, indeed, than genius, as it needs no explanation (Wilde 93). Dorian Gray is greatly influenced by Lord Henrys ideas and subsequently begins to believe that retaining his youth and beauty is all important, Lord Henry is perfectly right. Youth is the only thing worth having (Wilde 100). Dorian Grays new motivation is expertly shown when he becomes jealous of the painting of himself as why should it keep what I must lose? (Wilde 100). Therefore, Dorians pursuit in his new hedonistic lifestyle is beauty and the pleasure from beauty, ultimately causing pain to others. This suffering he inflicts onto others is shown through Dorian Grays shallow relationship with actress Sibyl Vane. Though engaged, Dorians love for her is based entirely on her looks and talent as an actress, her art. However, when she decides she cannot act anymore because Dorian is more to me than all art can ever be, Dorian rejects her. (Wilde 196). Due to his aestheticism, Dorian cannot understand her underlying motives and only sees her now ugly art. The destructive nature of aestheticism coupled with hedonism comes through when Dorian rejects her and says without your art, you are nothing, consequently resulting in her suicide (Wilde 197). Dorian Grays shallow wish to be youthful and beautiful forever while his portrait ages escalates Grays hedonistic lifestyle to extreme heights in turn increasing the destruction and pain wrought on himself and others. As a result of the portrait becoming representative of the corruption of Dorians soul while he himself remains unmarred and beautiful, it effectively hides his sins. Dorian even hides his sins from himself, as he drew a large screen right in front of the portrait, shuddering as he glanced at it (Wilde 205). Through this Dorian never has to confront himself or his actions and can temporarily escape consequences leading to the destructiveness of his hedonism to be unchecked and uncontrolled by conscience. Since Dorian and many others at the time saw external beauty as a reflection of the soul, Dorian is able to get away with countless misdemeanors as his portrait bears the ugliness of his sins for him. Basil tells Dorian that, with your bright, innocent face, and untrou bled youth- I cant believe anything against you (Wilde 294). This is especially ironic as Dorian shortly thereafter murders Basil after showing him the portrait, expertly showing just how destructive Dorian has and can become, on his pursuit for pleasure, due to the portrait bearing his sins for him. Dorians external self not reflecting his sins leads Dorian to not be able to accept blame and responsibility for those same sins. Dorian believes it was the portrait that had done everything and writes off things such as Alan Campbells suicide as being entirely his [Campbells] own act (Wilde 408). Basils murder at the hands of Dorian Gray expertly expounds this idea, because he felt as though it had been suggested to him by the image on the canvas (Wilde 307). Through this Dorian personifies the portrait into a living being for him to project all his sins onto while, he believes, remaining blameless himself. Due to his unwillingness to accept responsibility, Dorian therefore, cannot tr uly change his ways or be forgiven leading to only further escalations of debauchery and pain perpetrated against not only others but himself as he further corrupts his own soul. Dorian Grays desperate avoidance of sacrificing any experience and his desire to remain a paragon of beauty, as he lived a life of hedonism, had disastrous consequences on himself and those around him. The intention of Grays life of debauchery was to be experience itself and to pursue pleasure at all costs while experiencing all that life has to offer. (Wilde 265 ). However, due to his aestheticism and shallow nature, where he lived a life in search of beauty without regard for morals, he actually caused harm to those around him and his own soul, leading to his eventual downfall. His soul, because it was represented by the painting, was hidden away, allowing the dissociation of his physical self from his soul. Because of this, Dorian was not forced to confront its hideousness and sinful nature until it was too late, all the while living a life of destruction and debauchery. Through the hideous acts of the beautiful Dorian Gray Oscar Wilde, who was a prominent follower of aestheticism , explores the idea that beauty is art for arts sake in that there is no underlying meaning. Dorian Grays beauty was not reflective of his corrupted and hideous soul implying that external beauty should not be equated with goodness or any other hidden moral as beauty has no other reason or cause than to be beautiful.

Quotes From A Time to Kill

Set in Mississippi, A Time to Kill is a heartrending story of a father who fights for justice after his 10-year-old daughter is brutally assaulted. The father, Carl Lee Hailey, is accused of killing the men who attacked his daughter. Jake Tyler Brigance is the young white lawyer assigned to represent him. In these quotes from A Time to Kill, you feel the sorrow of a father who does not give up his fight for justice. Gain insight into what it means to be a father in a racist society with these quotes. Carl Lee Hailey America is a wall and you are on the other side. Hows a black man ever going to get a fair trial with the enemy on the bench and in the jury box? My life in white hands?Nigger, Negro, black, African-American, no matter how you see me, you see me different, you see me like that jury sees me... you are them.If you was on that jury, what would it take to convince you to set me free? Thats how you save my ass. Thats how you save us both.The fact is you are just like all the rest of them. When you look at me, you dont see a man, you see a black man.We are on different sides of the line ... I aint never seen you in my part of town. I bet you dont even know where I live. Our daughters, Jake, they aint never gonna play together.Yes, they deserved to die. I hope they burn in hell.You Jake, thats how. You are my secret weapon because you are one of the bad guys. You dont mean to be but you are. Its how you was raised. Jake Tyler Brigance What is it in us that seeks the truth? Is it our minds or is it our hearts?And until we can see each other as equals, justice is never going to be even-handed. It will remain nothing more than a reflection of our own prejudices.Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine shes white.I just thought our kids could play together.If this is a party, boys, wheres the chips and beef? Otherwise, your being here seems a bit like illegal client solicitation, what with Carl Lee already having a lawyer and all.Its not me, were not the same, Carl Lee. The jury has to identify with the defendant. They see you, they see a yard worker; they see me, they see an attorney. I live in town; you live in the hill.

Essay On Catcher In The Rye - 878 Words

After sitting in the rain for an hour, I decided to take old Phoebe home. We decided to walk. Phoebe started talking about the guy she liked, and it reminded me of Jane, the hell I know why. Honestly, I didnt listen to her at all, all I know about this guy is that his name his Bob and that he likes playing football. And then I heard Phoebe’s voice, â€Å"Holden you are coming home right?† I didnt know what to goddam say. I knew I couldnt, but I said â€Å"Yes†, I didn’t want to make her sad. When we got home my mom opened the door and she was so goddam happy to see me but even with all the happiness in her eyes you could see that something was wrong. I bet it had something to do with Allie. Then she started asking me questions about Pencey. I†¦show more content†¦Out of nowhere, she told me she liked me. I didnt know what to goddam do, I knew I liked her back but I didnt want to admit it. She waited for me to answer her, I dont know what the hell I was thinking,I got up and left. On my way out, I told her â€Å"Meet me at the lake in Central Park tomorrow at 11.† I didnt wait for her to respond. I went back home and this time my dad was home, he didnt even bother to hug me. He just asked me questions that I didnt have the answers to. I didnt listen to him, I was too busy thinking about Jane. But then he punched me. My nose was hurt from before but now the pain was even greater. I couldnt believe he did that. My dad never hit me before. I laid down on the floor bleeding for what seemed like an hour and then I got up and went to the garage. I was a moron to do that. The moment I walked in, so many memories of Allie flooded my mind. I started crying, I tried to stop but I couldn’t. I looked at the small mirror next to the door and I saw Allie. I freaked out and fell right on my head. Next thing I knew, I was in the hospital and Phoebe was lying down next to me. She looked so calm and pretty,I wish you could have s een her. But then she woke up, she gave me a hug. Usually I would have pushed her away because I dont like hugs or people feeling sorry for me but I let it go. This time I needed that hug. The doctor came into the room. He wanted to know how I felt and what had happened. I told him, I heard theShow MoreRelatedThe Catcher in the Rye Essay1442 Words   |  6 PagesThis paper proposes to delineate the characteristics of Holden Caulfield, the adolescent protagonist hero of J.D. Salinger’s The Catcher in the Rye and illuminate the reasons as to why this prototype of brooding adolescence, displaying a rather uber-cool style of disaffection, disenchantment and disillusionment became an indispensable figure of interest, in literary circles as well as popular culture. The paper seeks to take issue with the wider dimensions attached to the ‘incapacitation and debilitation’Read MoreCatcher in the Rye Thesis Essay610 Words   |  3 PagesCatcher in the Rye Thesis Essay The novel Catcher in the Rye by J.D. Salinger is very interesting novel in which the main character, Holden, intrigues the reader with his unpredictable actions and upfront judgments of his surroundings. Holden alienates himself to try and help protect him from the outside world and conserve his innocence. He constantly proves this to reader many in times in the novel by, telling characters he feels different, wearing clothing that makes him stand out even thoughRead MoreBravery in The Catcher in the Rye Essay593 Words   |  3 Pagesrelates to J. D. Salinger’s novel Catcher in the Rye. The protagonist Holden Caulfield shows a lot of bravery during the course of the novel. I disagree with the quote, but I do agree that there are many references that are similar between J.F. Clarke’s quote and J. D. Salinger’s novel. Conscience is described as the awareness of a moral or ethical aspect to ones conduct together with the urge to prefer right over wrong. In the novel Catcher in the Rye, Holden is very brave by leaving his Read MoreCatcher in the Rye - Phony Essay945 Words   |  4 PagesCatcher in the Rye Ââ€" Essay The theme of phoniness, illustrated by J.D. Salinger is the key of a better understanding the story line as a whole. Phony or fake more often than not means not real and is mostly referred to some religions by non believers or sometimes even to people. J.D. Salinger has used the term phony in a very common manor. By the interpretation of common manor, many of the people at that time period suited to the style of Holden Caulfields dialogues through J.D. SalingerRead MoreCatcher in the Rye Essay837 Words   |  4 PagesJ.D Salinger’s fictional novel ‘The Catcher in the Rye’ explores ideas of coming of age and challenging society’s morals through the life of Holden Caulfield, the young protagonist of the novel. The term ‘coming of age’ can be defined as when someone reaches an important stage in development and is accepted by a large number of people. The word ‘morals’ is concerned with the principles or rules of right conduct or the distinction of right and wrong. Themes such as innocence, isolation and youth resideRead MoreCatcher in The Rye Opinion Essay1133 Words   |  5 PagesAaron B Ms. F ENG-4U Nov, 1st, 2013 Catcher in The Rye Opinion Essay In the novel Catcher in The Rye, Salinger has employed a very realistic portrayal of teenagers and how they act. There are plenty of characteristic on how he properly conveyed this to the audience and he also spread these characteristics through-out all of the characters that are used within the novel. Firstly, you have Holden; a teenager who is not always the brightest bulb in the cabinet, but he has a clear understandingRead MoreCatcher in the Rye Essay Characterization1064 Words   |  5 Pagesdifferent from everyone than he actually is. Citation Salinger, J. D.  The Catcher in the Rye. Boston: Little, Brown, 1951. Print. Pre Essay Reflection Goals to achieve while working on my essay: 1. Work on time management 2. Work on the structure 3. Don’t get off topic Post Essay Reflection During this essay I set out to achieve the goals of working on time management, the structure of my essay and staying on topic. I think I accomplished these goals pretty well becauseRead MoreEssay on The Catcher In The Rye4193 Words   |  17 Pagesjust like to pat guys on the head when they’re asleep. I mean how can you tell about that stuff for sure? You can’t.† nbsp;nbsp;nbsp;nbsp;nbsp;Holden sees himself as being a catcher in the rye. Some time in the future he wants to be the only grown-up with â€Å"all these little kids playing some game in this big field of rye and all.† He’ll stand on the edge of a cliff and catch anybody who starts to fall off the edge of the cliff. Which means he will catch any child who will be falling out of his/herRead MoreEssay about Censorship and Catcher in the Rye751 Words   |  4 PagesChristi Johnson English 11 Pd. 5 Censorship Essay The Catcher in the Rye has been an instant classic since it was first published. It has been on the New York Times Best Seller list along with being among the most banned books in the U.S. It has been banned for its harsh language and bad behavior. But truly these are not good reasons to ban a book; a book that is so enjoyed by many readers and the reality of the protagonist. It is never good to hear profound language but the book is justRead MoreEssay on Catcher in the Rye1890 Words   |  8 Pagesor led unintentionally into a pathway of corruption. A child is also known to lose their innocence by desires, fantasies, and attention. But once they lose their innocence, they tend to desire to go back and pretend to be young again. In the Catcher in the Rye by J.D. Salinger, Holden discusses the importance of innocence in childrens lives. He feels that once a child loses his/her innocence, he/she will soon be leaded to a life of corruption. Holden also focuses on all the phonies in the world.

The Illegal use of Oxycontin Free Essays

Attention Getter: A pill cutter, a bottle of water, a credit card, a straw, a thick white powdery line, then a sniff†¦Ã¢â‚¬ ¦This is the deadly and illegal use of OxyContin, or otherwise known in my town as OC†s. Credibility: This is a sad description of an on going problem in my very own town. This is a description of a very highly addictive painkiller called Oxycontin. We will write a custom essay sample on The Illegal use of Oxycontin or any similar topic only for you Order Now This pain reliever is already controlling the lives of many of my friends and many people in this country. I feel as though precautions must be met to stop the illegal use of OxyContin from spreading. Purpose: The purpose of my speech is to explain to all of you the downsides and the heavy addiction that this pain reliever causes. I personally believe that this rapidly increasing problem must be stopped. I realize that there is no denying that it’s recreational use and abuse are a problem, there is another more important problem of at least equal concern the needs of people truly suffering from chronic pain and in need of OxyContin for pain relief. Forecast Statement: The negative aspects for both street users and patients and explain what pharmacists, physicians and representatives from the Purdue Pharmaceuticals are doing to ensure that this medication remains available for those who need it and stays out of the hands of those who abuse it. The synthetic opioid OxyContin has become a drug of abuse, following in the steps of other prescription drugs that contain Oxycodone, the active ingredient in OxyContin. The level of abuse and the number of people who have died because of OxyContin abuse are growing. At first many pain specialist initially believed that the controlled-release oxycondone had a low potential for abuse, boy were they wrong. In recent years, this drug has exploded to the streets. The latest report from the DEA, the Drug Enforcement Agency, states that Oxycontins have played a role in over 282 people since the beginning of 2002. The DEA says that it is only a matter of time before every community in this country is confronted with the problem of Oxycontin abuse. No prescription drug in the last twenty years has been so widely abused after it†s release. Oxycontin was pain reliever meant to do good, not bad. Oxycontin is prescribed to patients, who are chronic pain, patients who are dying of cancer, recovering from major surgery and or suffering from unbearable headaches. This pain reliever is known for its significant improvement over all other pain relieving medications. The time-release mechanisms allow the right amount of the medication to be released to keep sustained relief for people in severe pain for up to 12 hours. Not only street users become addicts, patients also become very addicted to their own medicine. Many patients go threw heavy withdrawal symptoms when their prescriptions have ended. No longer will insurance pay or doctors write prescriptions. So they too must turn to the black market to fulfill their addiction. In the worst cases some patients turn to heroin because Oxycontins to expensive. Before a person is prescribed this pill, the patient is supposed to undergo a complete physical examination, the patients record should be contained with detailed documentation of the nature and intensity of the pain, current and past treatment, other illnesses, and their history of drug and alcohol use. Then the risks, type, dosage, and quantity of the pain medication must be explained to the patient. Prescriptions will only be filed out during office hours, lost prescription slips will not be rewritten or otherwise replaced, lost or stolen medications will not be replaced. If asked by the doctor, the patient can be submitted to drug testing and urine screening to ensure that the patient is taking a controlled release of the oxycodone. All of these steps must be taken before the prescription can even be written out by the doctor. The Connecticut Company, Purdue Pharma, first introduced Oxycontins in December of 1995. Since then the popularity of this pain pill has grossed to over 1 billion dollars in U.S. retail Sales last year with of 5.5 million prescriptions written. Street users are attracted to the drugs euphoric high. The time- release is licked or peeled off of the pill. It is then crushed with a hard object broken up to a white powder, then it is broken up into very small lines and snorted or mixed into a dilute and injected into their veins. The drug then provides a high very similar to heroin, like heroin, it becomes highly addictive. OxyContin is a narcotic drug. Narcotic drugs cause not only a physical addiction but also a psychological dependence. Narcotics are drugs that produce a change in response to sensations. Sounds appetizing doesn†t it. The problem with OxyContins is that each tablet contains higher amounts of narcotic than any other painkillers, because of the extended action of the medication. Authorities suggest that this is the reason for the streets popularity. OxyContin abusers who have never used heroin may be attracted to heroin when they can no longer afford the high street level price of OxyContins. Heroin is much cheaper and gives a stronger feeling of euphoria. You may ask how do these drugs get into the hands of abusers? Pharmacy workers take the drug directly from the shelf. People create fraudulent prescriptions. People with or without true illness visit several doctors, perhaps even in several states to obtain a large quantity of the drug. Dishonest doctors write improper prescriptions for money or favors. Addicts rob houses, nursing homes and pharmacies just to get high. On the other hand, many doctors don†t prescribe it because they don†t want to be suspected of irregular practice. As a result of numerous robberies many drug stores no longer carry Oxycontin for the fear of being robbed. All of these factors are hurting the people who are legally prescribed OxyContin or other narcotic pain relievers to treat legitimate conditions, often are unfairly accused of being addicted to the pain medications. Misconceptions about proper pain management sometimes lead to under-utilization of available pain medications. Cancer patients and people in recovery are at a high risk of losing their medication because of the increasing sillegal use of the drug. Many law suits are being brought against Purdue that might hurt the avaiblitly of the drug. What is being done to stop this rapidly growing epidemic? Purdue Pharma has responded to the growing problem of OxyContin abuse by distributing over 400,000 brochures to pharmacists and healthcare professionals to educate them on preventing diversion. Legislative initiatives are also being drafted to make Oxycontins distribution less appealing by creating more strict penalties. Meeting with law enforcement officials in several states. Offering grant money for education and drug abuse prevention programs. Purdue Pharma claims it is committed to finding solutions. In the long term, millions of dollars are being spent on research and development a new pain medication, less likely to be abused. A new painkiller, still in development, is not expected to be available for at least three years, and has yet to be named. Purdue Pharma is anticipating that clinical trials will begin in early 2002. However, years of research and the FDA approval process are hurdles which must be cleared before anything newly-developed can be marketed. Clearly, that is not an immediate solution to the OxyContin problem. That’s why the DEA has stepped in with a sense of urgency, offering its proposals as deterrents to the abuse. There is way around it, illegal OxyContin use is a problem. It’s both. OxyContin is one of the best-selling brand-name drugs in the world, and also one of the most abused drugs. Although, this pill is meant to help save lives it is killing more than it is helping. Many street users of OxyContin are young, like my friends at home are who are unaware of how potent these tablets can be. The addiction to this pill is so dangerous and if is not taken under control it will control you. If you know someone who may be addicted please get them help before there lives go down the tubes. I hope you all can see how important this subject is. It is affecting my life, I hope you can stop it from affecting yours. How to cite The Illegal use of Oxycontin, Essay examples

Role of Social media marketing in Medical Tourism Business in India

Question: Discuss about the Role of Social media marketing in Medical Tourism Business in India. Answer: Research Title The researcher in the present study would emphasize upon analyzing the role of social medical tourism and thus the title of the study is as follows: Role of Social media marketing in Medical Tourism Business in India Case Study of Chennai, A Hub of Medical Tourism. Research Aim and Objectives The study would aim at analyzing the scope of medical tourism in India and role of media marketing in medical tourism in India especially in the context of Chennai which has emerged as a hub of medical tourism in India. Thus the entire study would be observed to be resolving around the following specific objectives: To analyze the role of social media marketing on medical tourism in India in context to Chennai. To investigate the impact of social media on medical tourism industry in context to Chennai. To analyze the factors of the perceived value of customers through the use of social media for medical tourism destination. To provide recommendations regarding the improvements in social media marketing in case of medical tourism in India. Research Background There are various reasons why people travel and they might be in search for new experiences, pleasure, out of curiosity, education, medical and other reasons. So these motivations on the part of the individuals has led to emergence of the tourism sector as one of the fastest growing sectors and it is also the fact that the industry has experienced a rapid and steady growth in the past and is expected to grow at a same rate in the future years. As per, UNWTO (2015), tourism is looked upon as of the major drivers for socio-economic progress and it has made significant contributions not only in the growth of the national economy but also in the growth of the global economy (Bu, 2015). The contribution of the tourism sector in the year 2014 was approximately above 7.5 trillion US dollars and thus it is considered at present as the most important industry in both the national and the global economy. Taking into consideration the above aspects, the study would strive towards maintaining its focus towards medical tourism in India and in this context it has been observed that, with people coming from across the nations in India, Chennai has emerged as a hub of medical tourism. It has been observed that Chennai attracts around 40% medical tourists of the countrys and every year, the city is visited by more than six lakh tourists as per the studies conducted by the Confederation of Indian Industries (CII) (thehindu, 2012). The arrival of the visitors for medical purposes to the country has also amplified by around 23% and this fact has been put forward by the CII officials and thus it has made Chennai as one of the favorite destination. The city also receives around 200 foreign patients on a daily basis and this is mainly because of the quality of healthcare services that is being rendered to the service users. Moreover the state also tends to produce doctors in the numbers and param edics in India and medical tourists from different regions like the South and Southeast Asia, Middle-east, and Africa visit Tamil Nadu for medical purposes and treatment every year. Moreover, the government of India under the 2023 vision programme is also planning to build a medicity with public-private partnership and this would facilitate in the expansion of the scope of the medical tourism in Chennai (The Times of India, 2015). Moreover, with the advancements in technology and emergence of social media sites as a platform for enhanced communication and social networking, the aspect of social medias in Indias medical tourism would be analyzed and emphasized by the researcher in the present study and its impact on the sector. Hypothesis Null Hypothesis (H0): The medical tourism business in India is impacted positively by the social media marketing. Alternative Hypothesis (H1): The social media marketing has no impact on the medical tourism business in India. Literature Review With advancements in technology and emergence of internet, social media is more frequently used by the individuals for communication rather than physical participation. The most popular social media sites include Twitter, facebook, LinkedIn, YouTube and Instagram. Moreover, it is also noteworthy that communication in virtual world is rapid and news and messages tend to travel at a faster rate than any other form of communication over internet (Amaro, Duarte and Henriques, 2016). So it becomes no longer necessary for the individuals to wait for physical interaction in order to achieve an insight on actual situation of the destination the individuals are planning to visit for their medical purpose or treatment. Moreover social media sites also provide opportunity for electronic word of mouth references and have an easy access to the visual impact of the destination that acts as a major contributor in individuals decision making process to choose the medical tourist destination (Medical Tourism, 2014). Moreover the studies conducted by Dijkmans et al., (2015) revealed the fact that the agencies associated with medical tourism together with departments of the international patient, across the globe mainly depend upon the business that receive from their websites, the social media and the activities associated to internet. Again he also pointed out that in the recent times, on the basis of the information that collect and get on the products and services through internet; the medical tourists are making informed decisions. Social media in this context tends to play a major role since it facilitates in promoting the medical tourism business and it is also the fact that the number of social media and internet users has experienced huge surge and so this has encouraged the medical tourism companies to rely on these social networking platform to enhance their business prospects. These companies tend to create profiles on the social media sites and advertise their business through these platforms by attracting more and more medical tourists through promoting the discounts and offers in their profiles. Dwivedi et al., (2011) and put forward that, social media platforms provides an opportunity to the medical tourism businesses to provide to aide range of target audience. For example, in India medical tourism provider can attract the customers from different countries like UK and UK and this possible by advertising the services, offers and facilities and other unique propositions over the social media platforms like Twitter and Facebook. On the other hand the individuals at present are also more social media welcoming and they strive to provide their individual opinions and experiences regarding the companies, preferred by them or about the companies the services which they have availed. So this proves to be beneficial for the other social medial users who are potential medical tourists to read these reviews and comments and shared information without having to directly contact the provider or meeting with provider physically (Zeng, 2013). So these social media content prove to be beneficial for the other individual medical tourists and are also observed to be more influential in the context of the decision making. So it can be said that a positive word over social media about the medical agency proves to be a great business opportunity for the medical tourism business. Research Design and Methodology Research Approach The researcher in order to conduct the study in an efficient could adopt either of the two research approaches that include the inductive and the deductive research approach. However in the present study the deductive approach would be mainly emphasized by the researcher because it would promote in testing the hypothesis that has been set by the researcher on the basis of the available theories (VanderStoep and Johnson, 2009). Moreover the deductive approach would also facilitate the researcher to move from particular information to general information and collect the data for the test of the hypothesis. In order to conduct the research, 10 medical tourists and 4 managers from medical tourism industry will be interviewed. Research Philosophy The researcher in order to conduct the study in an efficient manner could adopt either a positivism or realism or interpretivism philosophy (VanderStoep and Johnson, 2009). However in the present study the researcher would focus upon collecting both the qualitative and quantitative data and so, it can be said that since the study would involve quantitative data, the positivism philosophy would be beneficial and since qualitative data would be involved, realism philosophy would be beneficial. Research Design The researcher for the present study could adopt either explanatory or exploratory or descriptive research design (Morgan, 2007). However for the present study, the descriptive research design would be beneficial since it would facilitate in analyzing the undertaken topic in a detailed manner and also analyze the sight in the paradigm from traditional ways of marketing and promotion to the modern ways of marketing and promotion. Data Analysis In the present study, the researcher would collect both the primary and the secondary data. The secondary data would be collected from both online and offline sources (Harrison and Reilly, 2011). The online sources would include the peer reviewed articles and journals and early researches published online and the offline sources would include the academic sources like library, business magazines and newspapers. By conducting interview with the help of 4 managers of medical tourism agencies in Chennai primary data would be collected and conducting survey with 10 medical tourists who have visited the hospital for treatment. Moreover, the qualitative data i.e. the response from the interview would be analyzed in a subjective manner and with the help of statistical tools the quantitative data i.e. the response of the medical tourists from the questionnaire survey would be analyzed and techniques for example graphs, charts, tables and use of SPSS software (Cooper and Schindler, 2010). Sampling The managers for the interview would be selected through non-probabilistic sampling since their involvement would depend upon their busy schedule and the medical tourists for survey would be selected through probabilistic sampling since it would provide equal opportunity of participation to all (Crowther and Lancaster, 2012). Managers: 4 Medical tourists: 10 Contribution and Conclusion The study would prove to be beneficial for the medical tourism agencies to gain an understanding of the perception and views of the medical tourists and thus market and promote accordingly and enhance their social media activities. However, with the help of the study it is expected to highlight upon social media creates a positive impact on the medical tourism business in India. References Amaro, S., Duarte, P. and Henriques, C. (2016). Travelers use of social media: A clustering approach. Annals of Tourism Research, 59, pp.1-15. Bu, N. (2015). The Ninth UNWTO/PATA Forum on Tourism Trends and Outlook. Anatolia, pp.1-2. Cooper, D. and Schindler, P. S. (2010) Business Research Methods, 11th ed. London: McGra-Hill. Crowther, D. and Lancaster, G. (2012). Research Methods, 2nd ed. London: Routledge. Dijkmans, C., Kerkhof, P. and Beukeboom, C. (2015). A stage to engage: Social media use and corporate reputation. Tourism Management, 47, pp.58-67. Dwivedi, M., Yadav, A. and Venkatesh, U. (2011). Use of Social Media by National Tourism Organizations: A Preliminary Analysis. Information Technology Tourism, 13(2), pp.93-103. Harrison, R. L. and Reilly, T. M. (2011). "Mixed methods designs in marketing research", Qualitative Market Research: an International Journal, 14(1), pp. 7 26. Hays, S., Page, S. and Buhalis, D. (2013). Social media as a destination marketing tool: its use by national tourism organisations. Current Issues in Tourism, 16(3), pp.211-239. Medical Tourism. (2014). Social medias role in promoting medical tourism - Medical Tourism Facilitator Guide by Dr Prem. [online] Available at: https://drprem.com/medicaltourismfacilitator/social-medias-role-promoting-medical-tourism [Accessed 22 Aug. 2016]. Morgan, D. L. (2007). Paradigms lost and pragmatism regained: methodological implications of combining qualitative and quantitative methods, Journal of Mixed Methods Research, 1(1), pp. 48-76. Saunders, M. N., Lewis, P. and Thornhill, A. (2009) Research methods for business students, Page 52, 5th ed. Harlow: Prentice Hall The Times of India. (2015). Chennai remains favourite destination of medical tourists - Times of India. [online] Available at: https://timesofindia.indiatimes.com/india/Chennai-remains-favourite-destination-of-medical-tourists/articleshow/19641239.cms [Accessed 22 Aug. 2016]. VanderStoep, S. W. and Johnson, D. D. (2009). Research Methods for Everyday Life: Blending Qualitative and Approaches. 4th ed. San Francisco: Jossey-Bass. Zeng, B. (2013). Social Media in Tourism. J Tourism Hospit, 02(02).